SYMPHONY ORCHESTRA
- “Burlesque on the Death of a Dictator” for symphony orchestra; 6’00”
- “Canto Paradiso” for choir and symphony orchestra; 16′
- “Canto Inferno” for soprano, choir and symphony orchestra; 10′
- “Drop after drop” available in the different arrangements; 7′
- “Passacaglia es-moll” for symphony orchestra; 11’15
- “Blessing” for soprano and orchestra; (Version II) : for violin solo, violoncello solo and large string orchestra; 7′
- “Angel” for symphony orchestra; 7′
- “Triple concerto” Des-dur – for orchestra; 27’30
- “Symphony” for 33 soloist and choir in five phases; 33’
- “Such beautiful people” film music for string orchestra, percussion, piano/celesta, voice, harp, bayan; 25′
OPERA
- “Amandante” chamber opera for 4 voices and 6 instrumentalists; 85′
BALLET MUSIC
- “Odysseus” ballet music for large ensemble, choir and electronics; 90′
- “Case Carmen” ballet music for large ensemble, choir and electronics; 75′
- “GAKA” for 9 players; 60′
- “Nachnet” ballet music; 50’
STRING ORCHESTRA
- “drop after drop” available in the different arrangements; 7′
- “SATARSA” for string orchestra; 18′
- “Lullaby” for string orchestra; 9’45
- “Angel” (Version I) : for violin solo, violoncello solo and small string orchestra; 7′
- “Where Every Verse is Filled with Grief” for string orchestra | Alfred Schnittke (arr. M. Shalygin) 7:37;
MIXED ENSEMBLE (2-12 players)
- “Burlesque on the Death of a Dictator” for wind ensemble and percussion; 6’00”
- “Severade” for 9 cello players | 3rd chapter from the S I M I L A R; 73′
- “Concerto for violin and 5 percussion players”; 15’
- “Serenade” for string ensemble and percussion; 10′
- “Blue in blue in blue” for octet; 25′
- “drop after drop” available in the different arrangements; 7′
- “Bridge” for 7 musicians and 14 triangles; 15′
- “Concerto for 9” for ensemble; 9′30”
MIXED CHOIR
- “Sub Rosa” for mixed choir with tape; 18′
- “Blessing” for 8 voices or mixed choir 7′
- “While combing your hair” for mixed choir; c. 6’30”
- “Oil upon your shore” for mixed choir; 7′
- “Marian Antiphons” for 12 voices a cappella; 18′
- “Perpetuum mobile” – for 8 voces a cappella; 10’
- “Sanctus” for mixed choir; 4’30
VOCAL MUSIC: Voice and instrument(s)
- “Blessing” for tenor and string quartet; 6′
- “Blessing” for voice and saxophone quartet; 6′
- “…in memory of Ingmar Bergman” for voice, violin, organ and piano; 7’
- “The Songs of Holy Fools” vocal cycle for voice and piano; 23’
- “From the grape of wine” vocal cycle on lyrics by Omar Khayyam. The six songs, epitaph and chorale for piano and voice; 34’
CHAMBER MUSIC
- “Delirium” for four grand pianos | 4th chapter from the S I M I L A R; 60′
- “Lacrimosa or 13 magic songs” for 7 violin players | 1st chapter from the S I M I L A R; 68′
- “SONGLESSNESS” for organ & saxophone quartet; 67′
- “Tristissima” for cello & piano; 9’12”
- “Dolcissima” for cello & piano; 9’30”
- “Duet” for violin and piano, 20’
- “Angel” version for piano solo and piano quintet; 7′
- “KAYA” for violin & piano; 8′
- “Todos los fuegos el fuego” for 8 saxophone players | 2nd chapter from the S I M I L A R; 89′
- “drop after drop” for string quartet, for 4 celli, for 5 celli, for 8 celli, for clarinet quartet, for saxophone quartet; 7′
- “6 Bagatelles for two violins”; 18’
- “Suite – homage to Alfred Schnittke” for 3 celli; 15′
- “Songs, prayers and madrigals” string quartet; 18′
- “Angel” version for saxophone quartet; 7′
- “Insane dances” for saxophone quartet; 15′
- “Blessing” for voice and saxophone quartet; 6′
- “The Phaeacians” for 4 percussionists; 7’20
- “Red bells of Joan Miró” for percussion quartet; 10’30”
- “Study” for two bayan players; 3’30
- “String quartet”; 10’
- “Trio” for violin, cello and piano; 16’
MUSIC FOR SOLO INSTRUMENTS
- “TO ALL RESURRECTED” for piano solo | from the FETUS ETUDES; 17′
- “TO ALL IN LOVE” for piano solo | from the FETUS ETUDES; 5′
- “TO ALL ALIVE” for piano solo | from the FETUS ETUDES; 8′
- “Gavotte” for piano solo; 4’
- “Angel” for piano solo | piano version part of the FETUS ETUDES; 7′
- “Au vent sur loa pointe des pieds” for solo piano | from the FETUS ETUDES; 5′
- “9 preludes” for piano solo; 50’
- “Agnus Dei” for piano solo; 2’25
- “Khôra” for harpsichord; 9′
- “Canti d’inizio e fine” for cello solo; 45′
- “Letters to Anna” Symphony for violin solo; 26’15
- “DIANA” for violin solo; 3′
- “Maze of pleasures” for voice and electronics; 17′
- “Capriccios of the World” for clarinet and electronics | 1st notebook; 30′
- “Trembling music” solo accordion; 12’13”
- “S.O.S.” for solo accordion/ bayan/ organ; 2’20
- “Rondo” for button accordion solo; 10’
- “Scherzo” for button accordion solo; 8′
- “Octopus” for marimba, vibraphone, glockenspiel and electronics; 11′
- “Musique de fer” for one percussion player; 8’10”harpsichord
ELECTRO-ACOUSTIC
- “Holy Drill” electro-acoustic piece (tape); 13’04”
- “Sexual” microtonal dubstep, electro-acoustic piece (tape); 6’47”
- “When everything ends, we start to sing our songs” electro-acoustic piece (tape); 55′
- “From the other side beyond the mirror” electro-acoustic piece (tape); 12’11
- “Helios” electro-acoustic piece (tape); 5’09
- “Dance” electro-acoustic piece (tape); 8’04”
- “Two hours in reservoir” electro-acoustic piece (tape) on same named text of J. Brodsky; 50’11