Maxim Shalygin

for 12 voices a cappella , 15′

for saxophone quartet, 13′

for cello & piano, 14’

18’

Ballet music, 50’00″

solo accordion, 13’

electro-acoustic piece (tape), 5’09

string quartet

large ensemble, choir and electronics (90′)

flute,  clarinet in B, piano, viola (or violin), cello, percussion (12′)

for three cellos (15′) Listen

(15’) Listen Violin Concerto on VPRO

electro-acoustic piece (tape), (12’11) “From the other side beyond the mirror”

 for percussion quartet (10’)

for mixed choir (4’30)

flute, oboe, clarinet/bass clarinet, perc., piano., violin, viola, cello, double bass,  (9′) Concerto for 9

electro-acoustic piece (tape), 8’4 Dance  

2 sopr. 2 alt. 2 ten. 2 bass, (10’)

(3.3.3.3/ 4.2.3.1/3 perc.harp.piano/ 16.14.12.10.8), 11’15

vocal cycle for voice and piano, 23’

electro-acoustic piece (tape) on same named text of J. Brodsky, 50’11

for string orchestra, 8’12 Lullaby

for violin and piano, 20’

for 33 soloist and choir in five phases, 33’ (fl picc., 3 fl., 2 ob., cl. in B., bass. cl., 2 bsn, s.sax., a.sax./ hn in F, tpt in B, 2 tbn, tuba/ 3 perc., celesta, mandolin, bayn, piano/ soprano-solo, …

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10’

for violin, cello and piano, 16’

for piano solo, 50’

for button accordion solo, 10’

for button accordion solo, 8′