WORKS SORTED BY YEAR Play Pause Unmute Mute 2023 “Amandante” chamber opera for 4 voices and 6 instrumentalists; 85′“Sub Rosa” for mixed choir with tape; 18′“TO ALL ALIVE” for piano solo; 8′“Delirium” for four grand pianos | 4th chapter from the S I M I L A R; 60′ 2022 “Tristissima” for cello & piano; 9’12” “Blue in blue in blue” for octet; 25′“DIANA” for violin solo; 3′“drop after drop” available in the different arrangements; 7′ 2021 “SONGLESSNESS” for organ & saxophone quartet; 67′ “SATARSA” for string orchestra; 18′ “Where Every Verse is Filled with Grief” for string orchestra | Alfred Schnittke (arr. M. Shalygin) 7:37; “While combing your hair” for mixed choir; c. 6’30” “Severade” for 9 cello players | 3rd chapter from the S I M I L A R; 73′ 2020 “Octopus” for marimba, vibraphone, glockenspiel and electronics; 11′“Angel” available in the different arrangements; 7′“Capriccios of the World” for clarinet and electronics | 1st notebook; 30′ 2019 “Au vent sur loa pointe des pieds” for solo piano; “Maze of pleasures” for voice and electronics; 17′“Oil upon your shore” for mixed choir; 7′“KAYA” for violin & piano; 8′“Todos los fuegos el fuego” for 8 saxophone players | 2nd chapter from the S I M I L A R; 89′ 2018 “Blessing” available in the different arrangements, 8′ “Canti d’inizio e fine” for solo cello; 45′ “GAKA” for 9 players; 60′ “Holy Drill” electro-acoustic piece (tape); 13’04” 2017 “Lacrimosa or 13 magic songs” for 7 violin players | 1st chapter from the S I M I L A R; 68′ “Sexual” microtonal dubstep, electro-acoustic piece (tape); 6’47” “Case Carmen” ballet music for large ensemble, choir and electronics; 75′ 2016 “Marian Antiphons” for 12 voices a cappella; 18′ “Insane dances” for saxophone quartet; 15′ “S.O.S.” for solo accordion/ bayan/ organ; 2’20 “The Phaeacians” for 4 percussionists; 7’20 2015 “Dolcissima” for cello & piano; 9’30”“6 Bagatelles for two violins”; 18’“Nachnet” Ballet music; 50’“Trembling music” solo accordion; 12’13” 2014 “Helios” electro-acoustic piece (tape); 5’09“Songs, prayers and madrigals” string quartet; 18′“Odysseus” ballet music for large ensemble, choir and electronics; 90′ 2013 “Such beautiful people” film music for string orchestra, percussion, piano/celesta, voice, harp, bayan; 25′“Study” for two bayan players; 3’30“Bridge” for 7 musicians and 14 triangles; 15′“Suite – homage to Alfred Schnittke” for three cellos; 15′“Concerto for violin and 5 percussion players”; 15’“Musique de fer” for one percussion player; 8’10” 2012 “When everything ends, we start to sing our songs” electro-acoustic piece (tape); 55′“Serenade” for string ensemble and percussion; 10′“From the other side beyond the mirror” electro-acoustic piece (tape); 12’11 2011 “Red bells of Joan Miró” for percussion quartet; 10’30”“Sanctus” for mixed choir; 4’30“Concerto for 9” for ensemble; 9′30” 2008 - 2011 “Dance” electro-acoustic piece (tape); 8’04” 2010 “Perpetuum mobile” – for vocal ensemble; 10’“Triple concerto” Des-dur – for orchestra; 27’30 2009 - 2010 “Passacaglia es-moll” for symphony orchestra; 11’15“Songs of Holy Fools” vocal cycle for voice and piano; 23’“Letters to Anna” Symphony for violin solo; 26’15“Two hours in reservoir” electro-acoustic piece (tape) on same named text of J. Brodsky; 50’11 2008 “Lullaby” for string orchestra; 9’45“Duet” for violin and piano, 20’ 2006 - 2008 “From the grape of wine” vocal cycle on lyrics by Omar Khayyam. The six songs, epitaph and chorale for piano and voice; 34’ 2007 “…in memory of Ingmar Bergman” for voice, violin, organ and piano; 7’“Symphony” for 33 soloist and choir in five phases; 33’“String quartet”; 10’ 2006 “Trio” for violin, cello and piano; 16’ 2005 “9 preludes” for piano solo; 50’ “Rondo” for button accordion solo; 10’ 2003 - 2004 “Scherzo” for button accordion solo; 8′