Works sorted by date
- 2023 - "Delirium" for four grand pianos | 4th chapter from the S I M I L A R; 60′
- 2022 - "Tristissima" for cello & piano; 9'12''
- 2022 - "Blue in blue in blue" for octet; 25'
- 2022 - "DIANA" for violin solo; 3'
- 2022 - "Drop after drop" available in the different arrangements; 7'
- 2021 - "SONGLESSNESS" for organ & saxophone quartet; 67'
- 2021 - "SATARSA" for string orchestra; 18'
- 2021 - "Where Every Verse is Filled with Grief" for string orchestra | Alfred Schnittke (arr. M. Shalygin) 7:37;
- 2021 - "While combing your hair" for mixed choir; c. 6’30”
- 2021 - "Severade" for 9 cello players | 3rd chapter from the S I M I L A R; 73′
- 2020 - "Octopus" for marimba, vibraphone, glockenspiel and electronics; 11'
- 2020 - "Angel" available in the different arrangements; 7'
- 2020 - "Capriccios of the World" for clarinet and electronics | 1st notebook; 30'
- 2019 - "Au vent sur loa pointe des pieds" for solo piano;
- 2019 - "Maze of pleasures" for voice and electronics; 17′
- 2019 - "Oil upon your shore" for mixed choir; 7′
- 2019 - "KAYA" for violin & piano; 8′
- 2019 - "Todos los fuegos el fuego" for 8 saxophone players | 2nd chapter from the S I M I L A R; 89′
- 2018 - "Blessing" for tenor and string quartet, 6′
- 2018 - "Blessing" for 8 voices or mixed choir 7′
- 2018 - "Canti d'inizio e fine" for solo cello; 45′
- 2018 - "GAKA" for 9 players; 60′
- 2018 - "Holy Drill" electro-acoustic piece (tape); 10'
- 2017 - "Lacrimosa or 13 magic songs" for 7 violin players | 1st chapter from the S I M I L A R; 68′
- 2017 - "Sexual" microtonal dubstep, electro-acoustic piece (tape); 4'50''
- 2017 - "Case Carmen" ballet music for large ensemble, choir and electronics; 75′
- 2016 - “Marian Antiphons” for 12 voices a cappella; 18′
- 2016 - “Insane dances” for saxophone quartet; 15′
- 2016 - "S.O.S." for solo accordion/ bayan/ organ; 2'20
- 2016 - "The Phaeacians" for 4 percussionists; 7'20
- 2015 - “Dolcissima” for cello & piano; 10’
- 2015 - “6 Bagatelles for two violins”; 18’
- 2015 - “Nachnet” Ballet music; 50’
- 2015 - “Trembling music” solo accordion; 13’
- 2014 - “Helios” electro-acoustic piece (tape); 5’09
- 2014 - “Songs, prayers and madrigals” string quartet; 18'
- 2014 - “Odysseus” ballet music for large ensemble, choir and electronics; 90′
- 2013 - "Such beautiful people" film music for string orchestra, percussion, piano/celesta, voice, harp, bayan; 25'
- 2013 - “Study” for two bayan players; 3’30
- 2013 - “Bridge” for 7 musicians and 14 triangles; 15′
- 2013 - “Suite - homage to Alfred Schnittke” for three cellos; 15′
- 2013 - “Violin concerto for Emmy Storms and 5 percussion players”; 15’
- 2013 - “Musique de fer” for one percussion player; 7’30
- 2012 - "When everything ends, we start to sing our songs" electro-acoustic piece (tape); 55'
- 2012 - “Serenade” 4 violins, viola, cello, C-b, perc.; 10′
- 2012 - "From the other side beyond the mirror" electro-acoustic piece (tape); 12’11
- 2011 - "Red bells of Joan Miró" for percussion quartet; 10’
- 2011 - “Sanctus” for mixed choir; 4’30
- 2011 - “Concerto for 9” - flute, oboe, clarinet/bass clarinet, perc., piano., violin, viola, cello, double bass; 9′
- 2008-2011 - “Dance” electro-acoustic piece (tape); 8’4
- 2010 - “Perpetuum mobile” - 2 sopr. 2 alt. 2 ten. 2 bass; 10’
- 2010 - “Triple concerto" Des-dur (2.2.2.2/4.3.3.1/3 perc.harp./ violin solo, cello solo, piano solo/ 14.12.10.8.6); 24’24
- 2009-2010 - “Passacaglia es-moll” (3.3.3.3/ 4.2.3.1/3 perc.harp.piano/ 16.14.12.10.8); 11’15
- 2009-2010 - "The Songs of Holy Fools" vocal cycle for voice and piano; 23’
- 2009-2010 - "Letters to Anna" symphony for violin solo; 26’15
- 2009-2010 - "Two hours in reservoir" electro-acoustic piece (tape) on same named text of J. Brodsky; 50’11
- 2008 - “Lullaby” for string orchestra; 9’45
- 2008 - “Duet” for violin and piano, 20’
- 2006-2008 - "From the grape of wine" vocal cycle on lyrics by Omar Khayyam. The six songs, epitaph and chorale for piano and voice; 34’
- 2007 - “...in memory of Ingmar Bergman" for voice, violin, organ and piano; 6’59
- 2007 - “Symphony” for 33 soloist and choir in five phases (fl picc., 3 fl., 2 ob., cl. in B., bass. cl., 2 bsn, s.sax., a.sax./ hn in F, tpt in B, 2 tbn, tuba/ 3 perc., celesta, mandolin, bayn, piano/ soprano-solo, mezzo-soprano solo, tenor-solo, bass-solo, mixed choir/ violin I solo, violin II solo, viola solo, cello solo, double bass solo); 33’
- 2007 - “String quartet”; 10’
- 2006 - “Trio” for violin, cello and piano; 16’
- 2005 - “9 preludes” for piano solo; 50’
- 2005 - “Rondo” for button accordion solo; 10’
- 2003-2004 - “Scherzo” for button accordion solo; 8′
